We chat with Aporia writer & director Jared Moshé (jaredmoshe) about his emotional time travel movie, putting Judy Greer in the spotlight, and avoiding complicated rules:
Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT The time travel formula gets a refreshingly new and powerful twist with Aporia. The drama centers on grieving widow Sophie, whose husband's best friend reveals a time machine that can kill someone in the past. Thus she is faced with the impossible choice of whether to bring her husband back and the consequences to come from the choice.
I thought maybe I could do it through a story, or through a film, and then I also sort of had this idea that had been in my head that I never knew what to do with of a machine that could murder someone in the past. I was like, "Oh, wow, this is a really weird idea. I'll just write it in a file and forget about it.
Then, once I had those rules set up, the rest of the story had to fit to those rules. So, I just was like, "Alright, well, if it doesn't fit to those rules, I've wrote myself into a corner, I have to figure out how to get out of the corner staying true to those roles." I thought Edi Gathegi was the answer, because Edi, if you watch his performances from For All Mankind, to The Harder They Fall, to StartUp, there's a stillness to his performances. There's so much deep emotion that's going on in his eyes, and in little ways, but there's a stillness.
He found that balance very well. What would you then say was one of the biggest challenges in going out and putting this film together? I actually was gonna say I felt it was its own character in a way, you took the words right out of my mouth. That astronaut detail though, that's something that I loved about Edi and Faithe's characters throughout the movie. Where did that story and that evolution came from in particular?
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