Andrew Rannells opens up to TimTeeman his Broadway MeToo experiences, step-parenting, his relationship with Tuc Watkins, the joy of theater, anti-LGBTQ politics, Tonys—and closeted Hollywood actors.
Too Much Is Not Enough: A Memoir of Fumbling Toward Adulthood
“When I got to New York I pushed it all behind me. You have to deal with those things at some point, and with the help of many therapists, I did. But my immediate aim back then was to get to New York, change locations, change my name from Andy to Andrew, wear different clothes, and reinvent myself. I found that everyone was trying to reinvent themselves in some way at 18 and 19. We all did it together.
“That’s why the Cameo requests really hit me. Here were people—strangers to me and I am a stranger to them—who knew me for playing a character asking for advice, or me to comfort them. I was feeling totally untethered myself, and here I was trying to reassure people. I didn’t know if I was doing it correctly. By last summer I felt I had my feet a little more under me, but that took a long time.”
Rannells writes honestly in the book about being ambivalent about becoming a step-parent to Watkins’ children. He is fine about being the fun uncle for his own nieces and nephews, but he is less sure about being a full-time parent. “It’s still something Tuc and I still talk about and are still figuring out,” Rannells told The Daily Beast. “Tuc always wanted children, it was always on the list for his life. He did it a little bit later with a surrogate.
Andrew Rannells, left, and Christian Borle perform a number from “Falsettos” during the 2017 Tony Awards., the first-ever museum exhibition in Los Angeles of Haring’s body of work, featuring over 120 artworks and archival materials. “It was a great introduction to museum-going in general. His artwork is super accessible.
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