The legendary moviemaker and mumblecore pioneer transcend time zones to talk about going gray, learning from Chantal Ackerman, and whatever the hell 'content' means, anyway.
that had been put out. It was terrific, because that was such a local movie and everybody in that movie was some kind of local character, so it had little bios on all the little local characters and had little notes about all the locations they shot and most of those places were still there and still active in ’99. So that was how I learned about Austin, through.
Stillman: Were there many people from your personal world in that movie, or is it mostly professional actors?as well as mostly professionals. But every once in a while there’s, there’s somebody you can plug into something. It’s always a great pleasure to me to be able to bring in somebody who’s unexpected one way or another.
Stillman: [Laughs] That’s very good. Congratulations on weathering those rapids. It must have been interesting. So, the new film. I was enchanted with Annie—Stillman: She’s someone from your world a little bit, isn’t she? Because she’s only been inBujalski: She’s from California, but she’s been in Austin for a while. She’s done a lot of storytelling work. She has live performance experience, but she’s not an actor, per se.
Stillman: What is your casting process? Do you ever have an open call and just bring in tons of actors for certain parts?
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