An Awakening in Aspen

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An Awakening in Aspen
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Aspen has become a center of the art world during this hot vax summer, reports LauravS

A hot-vaxx-summer scene during Recognition Week at Anderson Ranch Arts Center, one of several events this month marking Aspen as a new center for the art-world elite. In pink: collector Sharon Hoffman. Photo: Stonehouse Pictures/Courtesy of the Anderson Ranch Arts Center Though there is some disagreement on how and why this happened and just what the tipping point was, there is a general sense that Aspen has become a center of the art world during this hot vax summer.

Perhaps most noticeably, Anderson Ranch Arts Center is on fire .

Precious Okoyomon’s garden installation Every Earthly Morning the Sky’s Light touches Ur Life is Unprecedented in its Beauty atop the Aspen Art Museum. The artist created elements of the work at the nearby Anderson Ranch Art Center in a new era of collaboration for cultural institutions in the Roaring Fork Valley.

Waanders, who lived locally for two decades before joining the ranch as CEO and president in 2019, agrees that there’s something special about the place. “There are a lot of towns with that glitz,” he says in his den-like office on the ranch’s campus.

Interviewed independently, Leigh, Okoyomon, and other artists of color I speak with describe their impressions and stories with adjectives that I can’t not hear: “weird,” “jarring,” “intense,” “embarrassing,” “sad,” all the way to “gross,” “extreme,” and “unbearable.” And as much as Leigh enjoyed her time at the ranch and in the Aspen area, she says, “I was not aligned with the place in some really essential ways.” Regarding her multiple visits to the area, she says, “I would definitely title my thoughts in general with ‘mixed feelings.’” We speak in the days before she accepted her award from the ranch, when she shares some strongly worded impressions and impactful incidents off the record that she doesn’t want made public, and then again after.

She genuinely appreciates the significance “that my friends were invited [when] they saw that there would be no Black people there if I came by myself, and that they tried to remedy that,” Leigh says, but then seeing “a Black woman selling diamonds off her body just undermined all the other things they tried to do.”

That remark, and the offhand way it was delivered, was part of an acquisitive shorthand I have heard more than once from white collectors who name-drop, often unsolicited, the Black artists whose work they own: “We’ve got Sanford” [Biggers], “We’ve got Theaster” [Gates], “We’ve got Kehinde” [Wiley], “We’ve got Hank” [Willis Thomas], “We’ve got Mickalene” [Thomas], “We’ve got Lynette [Yiadom-Boakye]” and so on. Gallerist and ceramicist Sam Harvey at Harvey Preston Gallery.

“It’s the complication of all of these mixed messages and trying to solve this Rubik’s cube of culture,” Harvey says. He asks rhetorically: “Is this a welcoming space? Am I wanted here? Do I all of a sudden have to speak for all Black people in the world?” “There’s some collectors I’ve met in Aspen that are very amazing,” Okoyomon says, people who have been collecting art for more than 30 years and who befriend, care about, and invest in the careers of artists. “But it takes a lot of work to get to that place.” And, they say, “You also have to actually care [about] more than just the image.”

Pasternak, who has very publicly addressed meaningful diversity in her role as director of the Brooklyn Museum of Art, adds, “Without it, we will create pain for others, undermine calls for equity and justice, and fail to be the cultural leaders we must become.” On the ranch’s side, to better serve the families and artists who live “downvalley,” it has added some more “diverse views and perspectives” to the board. Anthony Mavunga, who serves as finance director for the Target Corporation, is a Black resident of Minneapolis, a place that has seen racial strife writ large. Also now on the board is Alex Sánchez, who, as Waanders explains, “has spent his whole career building community in the mid- and downvalley areas with the Latino community.

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