Amanda Knox on Why She Went After ‘Stillwater,’ and Filmmakers’ Responsibility to Truth — Even in Fiction

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Amanda Knox on Why She Went After ‘Stillwater,’ and Filmmakers’ Responsibility to Truth — Even in Fiction
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'I’m not arguing legal arguments. I’m arguing human arguments,' says Amanda Knox, who feels Stillwater refuels conspiratorial suspicions about her that were finally rejected by an Italian court

has acknowledged uses Knox’s globally recognizable story as an inspirational springboard. An eloquent Twitter thread of Knox’s went viral as the film was being released last weekend, followed by her much-circulated Medium essay. Here, speak­ing exclusively with, she expounds on where she thinks the film went wrong , and why she’d still love for McCarthy to get in touch with her.

I actually did a tweet thread about this long before this viral tweet thread that went out, before I knew how they had decided to fictionalize my story. It was me acknowledging that, yeah, my dad’s experience of trying to save me, and my entire family’s experience of trying to save me, is a story that is incredibly worth telling, and one that I’ve actually been suggesting into the world. Wrongful convictions don’t just happen to the individual.

Obviously, in a story like this, especially one based in real life, the filmmakers are going to want to leave some elements of suspense that aren’t wrapped up till the end, and that involves the character’s guilt or innocence. Making the character outrightly guilty of murder would really subvert expectations, and it doesn’t go there. But there is still a twist, maybe because pure innocence would seem anticlimactic after two-plus hours? [Spoilers ahead.

Yeah, I feel a little bit like Dracula, where everyone gets to have their own spin on it. I want to maybe remove the word “offensive” from the conversation, because I’m not sitting here feeling offended. I’m sitting here feeling like I don’t exist, as you said. I feel like I am a character in people’s minds, and people don’t remember that I’m a real person who’s living a real life. I’m a storyteller, too.

If the filmmakers are clear that they only used your story as a springboard and fantasized everything from there, might they be able to say they’ve done their duty in drawing a distinction?

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