Editors note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races. The last time Erich Maria Remarque’s classic anti-…
for which it was eligible: Makeup and Hairstyling, Sound, Visual Effects, Music Score and International Film. Deadline’s Pete Hammond thinks it has a shot in other categories including Best Picture, Director and Adapted Screenplay.The film tells the story for the first time from the German point of view.
The project had gone through many cast-and-director iterations before it finally came to Berger, who previously told Deadline the big reason to make it “was to go back to the German novel and make a German film out of it. Which is something that no English or American filmmaker can theoretically do because they don’t have that heritage.
“I took the British script that existed and imbued it with that sense… while taking things from the novel, taking things from research, and taking things from inside of me. There were also certain poetic elements that we added… But mostly, there’s also an attitude in the novel that I tried to imbue into the rewrite of the script, and also into the filming.
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