Sure, AI can make art. But if history is any indication, our tastes will evolve in a way that rigs the game in favor of human artists.
The advent of AI models will only accelerate this trend. We will place ever more value on works that seem made for their own sake, rather than ours. That’s bad news for the AI robots, which are explicitly designed to please us. Engaging in a task for its own sake is one thing that, by construction, is beyond any AI’s ability. Trained on what has appealed to us in the past, they offer it back in new colors.
What actual form might our newfound preferences take? William Morris provides some additional clues. His greatest influence was the art critic John Ruskin, who was 15 years his senior and can be credited with launching the gothic revival that Morris capitalized on. Ruskin was a polemical thinker who united a set of aesthetic preferences with a zealous social philosophy. He not only had set ideas about church stonework, but also strong beliefs about social institutions.
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