Barry Allen and Miles Morales had strikingly different takeaways from their canon events.
The Flash and Spider-Man: Across the Spider-Verse are similar in a lot of ways. Barry Allen and Miles Morales both find themselves in contact with alternative versions of themselves, making their way through different timelines and universes. Throughout their stories, Barry and Miles also both come face to face with the inevitability of death: specifically, the death of their parents.
Flash learns that by changing the past, he also erases the fundamental experiences that make him who he is. By the end of the film, he realizes that he needs to go back and stop himself from saving his mom. Barry chooses to use it as an opportunity for one last moment with his mother, something that would enable him to process his grief and learn to move on. This scene is the epicenter of the movie's heart. It's an emotional goodbye and a submissive acceptance of fate.
Across the Spider-Verse personifies the antithetical philosophy held by The Flash in the form of a variation of Spider-Man named Miguel O'Hara, also known as Spider-Man 2099. This version of Spider-Man travels across universes to ensure that canon events occur undisrupted. Miguel has come to accept the same thing that Barry Allen learned. Fate is meant to be accepted for the betterment of the universe.
The Flash leans hard into the cliché that Across the Spider-Verse criticizes. Barry Allen must allow his mother to die and is deemed selfish for attempting to rewrite his fate. After Barry says goodbye to his mother, the movie almost redeems itself by allowing Barry to alter one thing to prove his father's innocence and give him a better future.
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