A tricksy tale of paranoia and suspicion

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A tricksy tale of paranoia and suspicion
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Periodically the narrative in “Mrs March” becomes an elaborate guessing game. Virginia Feito throws out situations which may be real or figments of the protagonist’s imagination

Mrs March lives in an “agreeable” apartment on the Upper East Side with her writer husband George and their eight-year-old son. Everyone in Manhattan is reading George’s latest novel, including the woman behind the counter of Mrs March’s favourite pastry shop, who one morning asks if this is the first time he has based a character on her. Mrs March is appalled: Johanna, the character in question, is a sex worker, “a weak, plain, detestable, pathetic, unloved, unlovable wretch”.

This seemingly innocuous question tips Mrs March into a feverish state of paranoia and self-doubt. She hears the name Johanna everywhere and feels she is being watched and gossiped about. She also has a series of disturbing, distorted visions involving cockroaches, spiders, a dead pigeon and a blood-soaked neighbour.

Ms Feito is a teasing storyteller. Events unfold at an unspecified time in the past; the heroine’s first name is withheld until the book’s last line. Periodically the narrative becomes an elaborate guessing game, throwing out situations which may be real or figments of Mrs March’s imagination. Matters come to a head when she learns that a young woman has been found murdered in a small town in Maine—the same town her husband visited on a hunting trip.

Occasionally the story flags and the language is sometimes overwrought . But the atmosphere of queasy foreboding is compelling, as is the portrayal of a flawed, troubled and complex individual trying to keep it together while coming apart at the seams. This article appeared in the Books & arts section of the print edition under the headline "The devil inside"

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