A Tale Of Grotesque Iconography And Metaphors Of Materiality By Cho, Hui-Chin:
hides metaphors in her abstract motifs and frequently uses leathers and furs in her work. Her work is compelling as it is unconventional, but this approach earned her the Cass Art Painting Prize and Steer Price in 2018. Cho's art is a deep reflection on humanity, desire, obsession, and even sadism.
Currently living and working in London, Cho was raised in the multicultural society of Taiwan. She describes it as a blend of Chinese visuals and Japanese culture, undoubtedly having a strong impact on the brilliant but insecure artist. She moved to the UK to enroll at Slade when she was only 18 years old and overcame her bipolar disorder with distorted self-portraits.Cho is a paradox as she describes herself and her work as"grotesque but serene.
Instead of putting viewers at ease, this bold artist wants to make people feel confused, provoked, and even a little uncomfortable when taking in her work. After all, Cho examines the dark side of the psyche, and she is not afraid of controversy. In fact, she openly presents controversy but in an abstract way. Simply put, she conveys that violence and harsh subjects exist in this world, and we need to accept that fact.
Speaking of development, Cho is currently earning her Master of Arts in Painting at the Royal College of Art in London. As she continues her education, it will be interesting to see how it affects her work. With her hallmarks being the relationship between materials, incongruous figures, an iconography of infants, and a bizarre yet compelling narrative, the 27-year-old artist has secured a place in the art world that even those much older than her would envy.
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