For the painter Edgar Degas, the Paris Opera was an irresistible world full of history, beauty—and corruption
Sept. 6, 2019 9:18 am ET
Among the impressionist painters who emerged in the 1860s, Edgar Degas was an outlier in his unquenchable desire to represent modern urban life. Racecourses, laundry shops, brothels and the circus all fueled his imagination. But it was the Paris Opera, especially its ballet, which kept him coming back time and again. The appeal of modern ballet for Degas, who started out as a history painter, was to be found in its classical roots.
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