Vogue staffers on the movies that affected them most this decade.
We're just a few weeks out from 2020, and at this point, I think it's safe to say we're all suffering from list fatigue. The desire to declare the best cultural relics of the year/decade feels both natural and hubristic, yet even trying to round up "the best" books, movies, TV shows, et cetera, can leave a lot of great stuff on the table.
On that note, in considering the last 10 years on film, I found myself thinking less about obvious hits and more about the sleeper gems that, one way or another, defined some part of the decade for me. One film that resonated with me more than I care to admit was Matt Spicer's 2017 rompI first saw the film on a plane a few months after my 24th birthday, hurtling from my hometown of New York to my adopted city of L.A.
As I watched Ingrid fight to ingratiate herself with a crowd of flaxen-haired influencers led by Taylor , I had to watch through my fingers; Ingrid's need was so raw, so recognizable, that it practically leapt off the screen. Recently, I rewatched the film with college friends in the New York apartment I returned to a year ago, and improbably enough, I found myself looking back on Ingrid—and my own L.A. misadventures—with some measure of empathy. She was just trying to fit in, after all.
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