From “The End We Start From” to “Anatomy of a Fall” and “Lee,” these features make me hopeful that creativity and commerce will soon gloriously reconcile.
King Street was thronged. Rush lines stretched blocks. Screenings were packed. But something nevertheless felt muted and anxious in Toronto this year. The red carpets were lonesome spectacles without movie stars to walk them, and who wants to go to a party if
or Michael Fassbender or Jodie Comer or Paul Dano—all with big movies at TIFF—aren’t there to rub shoulders with?celebrity distractions, might one appreciate the films on their own terms? Sure—but more questions still loom. Will studios buy them? And will there be any filmsyear? It was hard to know what to think about the strikes and rancor as TIFF churned its earnest way on, taking no sides, like a child of divorced parents.
Below are the movies that grabbed me, and gave me a little rush of optimism that impasses will be broken and creativity and commerce will gloriously reconcile. I've ordered them by release date, though some are still seeking distribution as I write. I expect—hope!—that they will be coming to a movie theater or streaming platform soon.
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